Canticle for two-channel digital media (2002)
Excerpt duration: 1:03 |
"The finale of the concert was Douglas O'Grady's Canticle. This tightly focused piece manipulated vocal and vocal-like timbres until a full-fledged independent line soared above punctuating sweeps in the accompanying texture. Hearing the vocal line descend into guttural sounds was a delight. |
Performance History |
The sounds in Canticle were created using Csound, a programming language used in digital sound synthesis. The soprano “voice” was created using FOF (Fonction d'onde formantique) synthesis within the Csound environment. FOF synthesis involves the use of a granular synthesis texture with five formant filters mimicking a human vocal apparatus. There were no samples or recordings of “real” voices used in this piece. |
Would you like to perform this work?
Canticle for two-channel digital media Registered with ASCAP
|
Sample Csound .orc file of one of the FOF instruments: ; CANTICLE by Douglas M. O'Grady ;----------------------------------------------------------------------------------------- igrain = p5 k1rrandi .006, 1/.05, .8135 kjitter = (k1+k2+k3)*kfreq a1 fof ampdb(90),ikfreq2, i800, 0, i80, .003, .017, .007, 20, 2, 10, idur, 0, 1 amix =(a1+a2+a3+a4+a5)*0 aamp =.amix/p7 aout linen aamp, .5, idur,9.5 outs aout*kpan, aout*(kpan-1) |