Time Canvas for two-channel digital media (2003)

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This work gets its title from a term used by the Futurist composer George Antheil. As a sound source, the piece includes a short sample from the opening attack of Antheil's Ballet Mecanique. This sample was manipulated in many ways including by reduction to sine waves through FFT analysis for the purpose of duration and pitch manipulation. Time Canvas also includes a sample of a drinking glass being struck, which was manipulated using the Kurzweil K2000 synthesizer. In addition to the K2000, the sounds in this piece were also produced in Csound, and from recordings of sketches made on a Serge Modular synthesizer ten years ago at the University of Massachusetts.

Upcoming Performances
TBA

Performance History
February 8 , 2006, Tennille Family Art Auction
Milledgeville, GA


April 24, 2004
, Douglas O'Grady DMA Recital
University of Alabama, Tuscaloosa

March 13, 2004, Southeastern Composers Symposium
Tuscaloosa, AL

April 21, 2003, University of Alabama
Electronic Music Recital
Tuscaloosa, AL

"Is not time, and time alone, the sole canvas of music?"

-George Antheil


Serge Modular Synthesizer

photo from synthfool.com

Kurzweil K2000 Synthesizer

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Time Canvas for two-channel digital media
© Copyright 2003 Douglas M. O'Grady
All Rights Reserved

Registered with ASCAP


Relevant Links:

Antheil.org

Csounds.com

CD: Ballet Mécanique

Book: The Csound Book